Question About Newspaper Artists'.

Homeschooler

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Aug 11, 2025
I'm curious about what a civil war era sketchbook looked like, particularly what the newspaper or "special" artists used. I'm also curious on how newspaper artists got more sketchbooks, pencils, etc., while out in the field. Would the newspaper send them art supplies or would the artist have to buy the supplies from a town or city?
 
Winslow Homer in particular, and probably artists in general, would make sketches at the site and then go home and work up a painting. Their sketch notes might be enough to re-spark memory years later.
Ah yes. And riding along with the Cavalry on an exciting raid the images in their minds had to be brought back from memory just to get the sketch down. Frederick Remington has his NY studio filled with arms and equipment and firearms so he would get the details right. He has an unusual talent for capturing horses in movement. My Dad could sketch well from memory and was good with horses as well as other things. He tried to show me how to construct the lines for a horse but I never got any good with that. Being around them constantly would help. My Dad was riding horses at 5 years old.
 
Thank you all for the information, it is really helpful. My mom joined the Facebook group. Here are some examples of my work.View attachment 569829 View attachment 569830 View attachment 569831 View attachment 569832 View attachment 569833


I usually don't sketch during reenactments because I portray a soldier, but I'm interested in doing a sketch artist impression.
Very nice! @Trooper "D" suggested selling your work to help finance your impression. CWT has a Sutlers Row, so you can do that here. "The Rules" are really reasonable and, for those of us who sell used items, the condition description guidelines are very helpful.

 
I'm curious about what a civil war era sketchbook looked like, particularly what the newspaper or "special" artists used. I'm also curious on how newspaper artists got more sketchbooks, pencils, etc., while out in the field. Would the newspaper send them art supplies or would the artist have to buy the supplies from a town or city?
Sketchbooks have not changed much over time. Vellum or newsprint or drawing and watercolor paper either. Pads and bound volumes. Roles possibly. The size of the actual newspaper dimensions. Supplied or reimbursed by the employer unless supplying one's own things was in the wage agreement. I think they had their own wagons similar to photography or sutler wagons. More than one correspondant per wagon. Supplies, tents, and camp equipage in a two mule wagon. So much of that stuff was produced and available. US mail was up and running quite well. They had to send their work back to the the editors and engravers in a timely fashion. And ya cant telegraph images. I like how notes for the engravers and woodblock carvers were written on the illustrations explaining what and who is pictured. The originals were the throw away part. Its amazing how much actually survived until today.
There are some photos of A.R. Waud and another chap with their tent and working on the latest news items. They didn't carry all that stuff on their backs.
 
Really good stuff. I'm impressed. When I was young I would constantly be drawing human forms. I got so natural with it that my little sketches in the margins of school notes surprise me today. I also like to leave the construction lines. It gives a sense of movement with a dynamic figure or scene. I tried taking photos and then blowing up the image on xerox machines to get the images together as one. Not so good with that. Inkjet copiers are awesome though. Rough sketch on drawing paper and then copying onto watercolor paper with the ability to adjust size and then dry wash watercolor paint and fill in the lines where detail is lacking with assorted ink sizes. It works great and if that one doesn't float yer boat you can always start over with the original. Slap them into dollar store frames and behind the glass they looked great. Finance your impression with some Pre made stock. Hard to sell at events while soldiering also. Find a time and place to hawk your wares.
What size are these sketches?
Sorry. I don't mean to Lord over your. I just get excited with reenactors and then and extra push for artists and musicians. Take and us what you will or ignore my blathering. Its up to you.
Good luck for sure.
I use a 9x12in toned tan sketchbook, usually drawing a few sketches each page. I haven't thought seriously about selling my work, because I can't think of anyone actually buying it, but it would be worth a try. Thanks for the encouraging words and advice, I really do appreciate it!
 
Very nice! @Trooper "D" suggested selling your work to help finance your impression. CWT has a Sutlers Row, so you can do that here. "The Rules" are really reasonable and, for those of us who sell used items, the condition description guidelines are very helpful.

I did not know that. Now he has a captive audience.
Cheers!
 
I use a 9x12in toned tan sketchbook, usually drawing a few sketches each page. I haven't thought seriously about selling my work, because I can't think of anyone actually buying it, but it would be worth a try. Thanks for the encouraging words and advice, I really do appreciate it!
Don't second guess yourself. The world will handle that noise already by itself. No need to join in with them.
You have no idea what others think or do. Give folks a chance.....to say NO! HA! How many beautiful relationships never happened because one or both of the potentials have the other persons thoughts and feelings made up and don't dance at the DANCE-Party. They never even say hello and introduce themselves. Its pretty rude to deny people a chance to see your talents and make their minds up for them. Plenty will say "get lost" but even more will be positive.. Focus on them.
I don't know how old you are. Let me tell you as an official "Old Fart", the days fly by whether you pursue things in life or not. When the real world slams down on you after years not doing, you will find possibly, like I did, that the corner turns and those things you. You used to do are no longer possible. You have a forum here of like minded folks touched by what I call...The Sickness. That unquenchable desire to purchase just one more pistol and that will be IT....until the next time when you find someone who makes custom Star Canteens. Oooooh, those are nice. Different than most others around. Pricey but how can you put a price on "canteen bliss". At least its not a pistol right?
Put that Art out for us to see. At least you'll get critiques if nothing else
Cheers!
Oh....and uh...No Pressure. (Snicker and chortle)
 
I use a 9x12in toned tan sketchbook, usually drawing a few sketches each page. I haven't thought seriously about selling my work, because I can't think of anyone actually buying it, but it would be worth a try. Thanks for the encouraging words and advice, I really do appreciate it!
Ya know those sketches will add up over time. You'll have a portfolio of them before too long. Pick out a few of your favorites after a few months and lay those babies on us. No rush to organize anything. Just upload them and let folks have a gamder. Simple, not always easy though. I get it.
Cheers!
 
@Homeschooler , just remember that Mort Kunstler, Keith Rocco and Don Troiani probably didn't start out at the top of the heap of Civil War artists but had to work their way up there.

If you are of an age to consider art school, this one is legit.


They also offer some free on-line courses. There might be something of use/interest to you there even if art is simply a hobby for you.
 
Thank you all for the information, it is really helpful. My mom joined the Facebook group. Here are some examples of my work.View attachment 569829 View attachment 569830 View attachment 569831 View attachment 569832 View attachment 569833


I usually don't sketch during reenactments because I portray a soldier, but I'm interested in doing a sketch artist impression.

Keep in mind that Adolf Metzner was a soldier. So were many others. If nothing else it will give you an appreciation of how the Bohemians worked.
 
Water battery FT Donelson by Henri Lovie.webp

Anybody who has visited Fort Donelson will recognize this locale. Up thread there is a reference to special correspondents making notes such as these about the Water Battery to inform the woodblock etchers. The information was also the basis for captioning. Note how officers all along the line are standing up on the works.

IMG_2559.webp

This is as close to witnessing the Battle of Gettysburg as you will ever be. The artist made the drawing the day after the engagement. Soldiers who had participated in the battle guided his hand.

IMG_2559.webp

This detail indicates how the illustrator used numbers as a key to notes & also made notations directly on the page. Note the flags standing out prominently. The closer you examine the drawing & the text the richer it becomes.
 
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I'm curious about what a civil war era sketchbook looked like, particularly what the newspaper or "special" artists used. I'm also curious on how newspaper artists got more sketchbooks, pencils, etc., while out in the field. Would the newspaper send them art supplies or would the artist have to buy the supplies from a town or city?
Theodore Davis wrote a detailed article for Harper's Weekly about how he sketched during a battle. Includes examples from Raymond and Champion Hill.

 

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