I'm curious about what a civil war era sketchbook looked like, particularly what the newspaper or "special" artists used. I'm also curious on how newspaper artists got more sketchbooks, pencils, etc., while out in the field. Would the newspaper send them art supplies or would the artist have to buy the supplies from a town or city?
I have had trouble finding a way to get access to the London Illustrated Newspaper that has some truly astounding pieces as well. I've only collected one of them & getting the actual article has been challenging.
I'm curious about what a civil war era sketchbook looked like, particularly what the newspaper or "special" artists used. I'm also curious on how newspaper artists got more sketchbooks, pencils, etc., while out in the field. Would the newspaper send them art supplies or would the artist have to buy the supplies from a town or city?
When what we would call the art director of Leslie's Illustrated retired he carried what we would call the morgue with him. The Becker Collection has over 300 special corespondent drawings with him. Read more here.
This guide gives an overview of about 4,000 Prints & Photographs Division drawings by American and international artists including eyewitness drawings from the American Civil War. Research strengths, search strategies, and related resources are covered.
guides.loc.gov
Adolph Metzner was not a special corespondent. He was a soldier. The drawings submitted to Leslie's & Harpers were self censored. Metzner drew what he saw. The Library of Congress collection covers a wide variety of subjects. Read more here.
As an admirer of Civil War drawings, a recently digitized collection of drawings by Adolph G. Metzner piqued my interest. The difference in style from many other drawings of the time, along with the richness of color, drew me in to learn more about this man and his artwork. Born August 13, 1834...
blogs.loc.gov
Winslow Homer was a remarkable draftsman. His were more formally composed than his peers. Read more here.
Oh my! The book shown below was left for me yesterday on the desk in the "office" for the book side of the used book and record shop where I volunteer. Unfortunately, it was more than a bit beat and at 11 x 15 x 1.5 inches and 512 pages hardbound would have been difficult to transport and/or mail for my Civil War book sale activity so I didn't buy it. We put it in a collection of books for a collage artist whose works are made out of/from books. She was invited to a program out East that seeks US history-themed works, so we thought it would be perfect for her.
Edited to add: Since copy/paste of images is now not working for me, either, we'll do it this way.
How Were The Drawings Turned Into The Printed Page?
After the intrepid members of the "Bohemian Brigade" had observed a scene, made their drawing, refined it & sent it off to the publisher, then what? Read more here.
Imagine an expanse of hilly countryside. Fill it with with hundreds, perhaps thousands of men, battling to the death. Now put yourself into that scene. Listen to the clash of metal as swords and bayonets meet, the boom of cannons firing, the voices yelling. You’re in danger: there are bullets...
As a professional artist, I have always been deeply impressed with the observational skills & draftsmanship of the Bohemian Brigade special corespondents. They were the best in the world at what they did. Today, we understand that their ability to take in a scene, remember it & render it is facilitated by hyperphantasia.
That describes a direct link between the frontal cortex and the visual cortex in the back of the brain. Spacial Hyperphantasia where the subject can, in effect, watch vivid full detailed movies of past experiences occurs in (+/-) 1 % of the population.
Marvelous as that is, the results would have been confined to a sketchbook or portfolio without the exquisite craftsmanship of the woodblock engravers that converted the images into printing plates.
I'm curious about what a civil war era sketchbook looked like, particularly what the newspaper or "special" artists used. I'm also curious on how newspaper artists got more sketchbooks, pencils, etc., while out in the field. Would the newspaper send them art supplies or would the artist have to buy the supplies from a town or city?
Newsprint. China White and Charcoal pencils. Regular pencils with pen knife and emory board. Gum rubber eraser. Big drawing board like made today. Clips and rubber band to stabilize paper to board. Their own tent with easel or portable draughting board. Straight edges. T Square. Watercolors. Brushes. Wash Payne's Grey. Watercolor paper. All the pencils and brushes roll up in a cloth or leather wrap. Various sizes bound sketchbooks.
That should get ya started.
How Were The Drawings Turned Into The Printed Page?
After the intrepid members of the "Bohemian Brigade" had observed a scene, made their drawing, refined it & sent it off to the publisher, then what? Read more here.
Imagine an expanse of hilly countryside. Fill it with with hundreds, perhaps thousands of men, battling to the death. Now put yourself into that scene. Listen to the clash of metal as swords and bayonets meet, the boom of cannons firing, the voices yelling. You’re in danger: there are bullets...
As a professional artist, I have always been deeply impressed with the observational skills & draftsmanship of the Bohemian Brigade special corespondents. They were the best in the world at what they did. Today, we understand that their ability to take in a scene, remember it & render it is facilitated by hyperphantasia.
That describes a direct link between the frontal cortex and the visual cortex in the back of the brain. Spacial Hyperphantasia where the subject can, in effect, watch vivid full detailed movies of past experiences occurs in (+/-) 1 % of the population.
Marvelous as that is, the results would have been confined to a sketchbook or portfolio without the exquisite craftsmanship of the woodblock engravers that converted the images into printing plates.
This info is integral to my field artist's impression and Living History. I haven t seen it before I don't think. If I could get my hands on a field offset printer....now that would be nice.
Thanks for posting this
This is an excellent article. It includes a quote that I have found handy, "… the Union army used 10 different types of saddles…." referring to how the illustrators checked the accuracy of their drawings with soldiers on the spot. Read more here.
I was an artist / illustrator in Peace Corps Ecuador in the 1970's. I carried a sketchbook with me at all times. I have been a living history volunteer at Stones River since 1994. Drawing in the field isn't always easy.
I don't have any idea why the recent upgrade on CWT or my phone rolls images to the right.
I would suggest that you carry a hard bound sketchbook. It will be easy to handle & have a period appearance.
A gunner's leather bag is just the right size. Put a piece of 1/4" plywood in it as a backing. That makes a very practical field desk.
You will want to join "Our Bohemian Brigade" private Facebook group.
As far as media goes, keep it simple. En pleinaire drawing is challenging. You will have to work very quickly with a solid graphite pencil to block in the scene & figures. Work loose as you develop the shapes.
I do not recommend trying to ink over the pencil in the field. A quill pen & ink is awkward at any time. One gust of wind & it is Buster Keaton's impression of an artist at work.
Carry an iPhone in a pistol holster. It is readily at hand & to put back.
Use a pair of tabletop metal easels from Michael's to ink loose preliminary pencil sketches .
Here is a sideways view of my set up.
Here is the pleinaire sketch side by side with the photo. I have become very fond of using this brand of sumi brush marker.
It looks & feels like a real brush. Unlike other brands I have tried, it holds its point. Also find it at Mechael's.
This is my canvas haversack from Blockade Runner in Wartrace TN & the Bristol paper spiral bound sketchbook that fits it nicely.
Here is a birthday present still on the box.
I am in no way attempting to make a photo realistic illustration. I don't erase the pencil lines after I ink it. I really like having the process a part of the image.
Do post images of your work. We need to add a Bohemian Brigade to CWT.
I was an artist / illustrator in Peace Corps Ecuador in the 1970's. I carried a sketchbook with me at all times. I have been a living history volunteer at Stones River since 1994. Drawing in the field isn't always easy.
I don't have any idea why the recent upgrade on CWT or my phone rolls images to the right.
Those are nice. I illustrated some things also. Impractical to be a soldier and illustrator for 3 days. Those guys lived in the field and had plenty of time to sketch around.
Really good stuff. I'm impressed. When I was young I would constantly be drawing human forms. I got so natural with it that my little sketches in the margins of school notes surprise me today. I also like to leave the construction lines. It gives a sense of movement with a dynamic figure or scene. I tried taking photos and then blowing up the image on xerox machines to get the images together as one. Not so good with that. Inkjet copiers are awesome though. Rough sketch on drawing paper and then copying onto watercolor paper with the ability to adjust size and then dry wash watercolor paint and fill in the lines where detail is lacking with assorted ink sizes. It works great and if that one doesn't float yer boat you can always start over with the original. Slap them into dollar store frames and behind the glass they looked great. Finance your impression with some Pre made stock. Hard to sell at events while soldiering also. Find a time and place to hawk your wares.
What size are these sketches?
Sorry. I don't mean to Lord over your. I just get excited with reenactors and then and extra push for artists and musicians. Take and us what you will or ignore my blathering. Its up to you.
Good luck for sure.
Winslow Homer in particular, and probably artists in general, would make sketches at the site and then go home and work up a painting. Their sketch notes might be enough to re-spark memory years later.