Hey, Bill,
If this is your first time seeing the movie, then I'm glad you got to see it. A lot of it rang very true for me. First of all, a lot of it was shot in Missouri, very near where some of the events really happened. In that regard, it was so much more real to me than THE OUTLAW JOSEY WALES, which I also liked a lot. (But, let's face it, Josey's locations don't look much at all like Missouri.) I also appreciated the fact that so many of the main characters were loosely based on real historic figures--Black John representing Anderson, Daniel Holt representing John Noland, and quite a few others. There's even a brief scene during the Lawrence sequence showing a kid with two holstered revolvers walking away from the camera down the middle of the street--perhaps representing Riley Crawford. Parts of Pattonsburg, Missouri which were heavily damaged by the great midwestern floods of 1993 served as the business district of Lawrence for the raid scenes. Other scenes were shot near Lexington, MO. I could have done without the love story, but I guess you can't have much of a successful movie without a love story. I could also have done without the expository dialog at the very first, during the wedding party. But I guess that helped set the context for viewers who weren't previously informed about Missouri politics, circa 1856-61. In any event, I think my favorite scene is during the retreat from Lawrence, where the boys dismount and form a line just inside the woods to shoot into the pursuing Federal cavalry.
William Gregg led the rear guard on most or all of Quantrill's retreat from Lawrence, and repeatedly skirmished and stalled the pursuing cavalry. He obviously led the rear guard actions effectively, but I doubt he ever threw out a wall of pistol bullets in quite that spectacular fashion. I am pretty sure he did his job with a relatively small complement of men. Nevertheless, it was a heck of a scene! And, finally, there is an effective scene in a pocket of woods where the boys ambush a Federal patrol. The boys melt in and out of the woods repeatedly, and I think Ang Lee (the director) got that part of Missouri guerrilla fighting just right--he showed the viewers more or less what it must have been like to be on foot with riders materializing out of nowhere and then disappearing into the brush almost immediately. All in all, a fine movie--and, for the most part, pretty accurate, too.