N.C. Wyeth's 'Sharpshooters'

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I've long been enamored with the Wyeth school of illustration, to the point that I've sat on the bench in front of his NATION MAKERS, not only to absorb it's impact but to watch the reactions (or lack thereof) of passersby.

Chalk this up to 'the more you know the more you realize you're ignorant', but I only recently discovered this painting.
18d6a27183be007f4823bbc1ad3737e7.jpg


I see two nameless men dedicated to the job of killing, pared down to only the bare basics for the job on a hot day - even in the depths of a primordial forest. They're caught in a moment of sunlight but to their victims they'd be invisible.

If one or both were discovered by Yankees, could they have become one of the countless skeletons discovered in the Wilderness after the war?

It's alternate title is "CONFEDERATE SHARPSHOOTERS" and unsurprisingly for these times, the museum sorta glosses over it's description.
From the following letter written in August, 1911, it is clear that Wyeth must have used Miller's "Photographic History of the Civil War," published in 1911, as a reference for the Cease Firing images.
http://collections.brandywine.org/o...=653e95ac-c174-4dd1-a737-24b55a8bd2e4&idx=157

It was used to illustrate Mary Johnston's book CEASE FIRING.

"The acclaimed sequel to The Long Roll vividly dramatizes the final years of the Civil War
A Confederate artilleryman from Virginia, Richard Cleave was in Chancellorsville when Stonewall Jackson lost an arm—and eventually his life—to a bullet fired by one of his own men. Now, Cleave is on hand for the long and devastating siege of Vicksburg, a major turning point in the war. When Lee loses his confrontation with Grant at Gettysburg and the Army of Northern Virginia begins its tortuous retreat south, all appears lost for the Confederacy. But there is still fighting and dying in store for the men on the road to Appomattox: The bloody fields of Chickamauga, the Wilderness, and Spotsylvania await Cleave and his compatriots in gray.

Based in part on actual Civil War memoirs and transcripts, including those of the author's illustrious cousin, Confederate General Joseph E. Johnston, Cease Firing endures as one of the most realistic and moving novels ever written about the War Between the States."

https://www.goodreads.com/book/show/27813645-cease-firing

Related threads
https://civilwartalk.com/threads/so...on-and-stonewall-jackson.113707/#post-1123334

https://civilwartalk.com/threads/wyeth.101593/#post-905788
 
Love it. It says a lot.
 
MRS. "STONEWALL" JACKSON DENOUNCES "THE LONG ROLL"

[Before Gone with the Wind exploded into print, Mary Johnston's The Long Roll was one of the definitive novels about the Civil War. Unlike Mitchell's novel of Southern aristocracy, however, Johnston sets her tale among the fighting armies. In this article published in the New York Times on October 29, 1911, Mary Anna Jackson, widow of the Confederate general Thomas J. "Stonewall" Jackson, attacks the novel The Long Roll by Mary Johnston. She contends it is not fair to her husband's legacy.]

Being strenuously opposed to publicity myself, and to newspaper controversy, I have remained silent concerning all that has been written pro and con about Miss Mary Johnston's novel, "The Long Roll."

This being a work of fiction, it would seem useless to undertake to controvert its misrepresentations; but since Miss Johnston herself in an interview avers that she is "absolutely correct" in all her characterizations of Stonewall Jackson and refutes the Rev. Dr. Smith's defense as "a personal ideal of Gen. Jackson," I can no longer remain silent.

Miss Johnston acknowledges that she never saw or knew Gen. Jackson, which fact is very evident from the hideous caricature she uses as her frontispiece representing him and his little sorrel, and which alone is enough to condemn the book.

In attempting to paint a historical picture of Gen. Jackson, which Miss Johnston asserts as a "true portrait," it was but just that she obtain correct pictures of the General and his warhorse. These I would have been only too glad to give her or they could have been obtained from books of Confederate history.

It is passing strange where the author obtained all her information concerning the wonderful peculiarities and eccentricities of this man, who won honor and fame in spite of them all, or how she could keep her mind and pen in such constant exercise exploiting his "old forage cap," "the jerking of his hand," and his everlasting "sucking of lemons."

And now, may I ask, will not all true Confederate soldiers who followed Stonewall Jackson, give an expression of their opinion of "The Long Roll," and if they approve of it let them say so candidly, but if not will they unite in such a protest against this false and damaging portraiture of their commander as will settle the question for all time.

Encyclopedia Virginia
Goodreads, Inc.
 

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