Keeping Your Ancestress's Image Safe

18thVirginia

Major
Joined
Sep 8, 2012
So, I looked at various articles on how to care for your old photographs.

Let's start with daguerrotypes. Let me say first that I always expected my daguerrotype images to fade and not be restorable. Someone at my college did restore one, but it involved mercury vapor or other strange things that seemed beyond my abilities.

First, daguerrotypes were generally made from 1840-1855 and the image is on polished silver, which is why they're reflective. And why they're subject to tarnish. They came in hinged cases, but only one of mine is in half a case. They are normally a reversed image.

Care of the daguerrotype:

1. Do not take the cover glass off the image.
2. You may want to photograph using a tripod.
3. You might want to use you Iphone with a scanner app.
4. The Daguerreian Society says you can use a scanner, but DON'T TAKE THE GLASS OFF. You make take it out of its case, but don't remove the gold binding or the fragile tape.
And if as an unknowledgable person you did that,, rewrap it with acid free paper and tape on the acid free paper with special tape like Filmoplast P90, available from archival suppliers.
5. Keep out of the light, in a drawer, face down.
6. Keep where there aren't extremes of humidity, like not in a basement or attic. Living in Florida and Louisiana, I will never have the recommended humidity levels. You can keep your daguerrotypes in a bank vault, which would have the correct temperature and humidity. However, mine have survived pretty well in drawers in the humid Gulf Coast.
These instructions come from The Daguerrean Society: http://daguerre.org/dagfaq.php

Ambrotypes date from 1855-1865, but were a photographic emulsion on glass, so they don't tarnish, but the emulsion may flake off. Keep them in their cases in the same environment as the daguerrotype. The Daguerrean Society doesn't mention how to photograph/scan them. In a very safe place, I have an ambrotype...and if I ever locate that safe place again, I'll reproduce it for you.

Tintypes were printed on tin from 1865 through the turn of the Century. They had the same emulsion as ambrotypes but painted on tin and then exposed. Some of them were in cases, but many were not. Keep them within acid-free paper and use whichever photographic process you feel comfortable with.

I have a higher quality scanner than just an ordinary flat bed printer and the difference in quality is noticeable, so if you're going to risk scanning, you might want to consider how good a scan you can get.

As I mentioned on the other thread, you can now use your Iphone or Android phone as a scanner. You can use Shoebox at ancestry.com if you have an ancestry account, which will allow you to upload directly to your account--or so they say.
 
I tried out the Shoebox app, which you have to log in to ancestry.com and then find it and save it to wherever else. It works quite well if you want the photo to go into ancestry.com, but is sort of a hassle to get it out of ancestry.com and into your own computer photo program. I don't know about the other Phone scanner programs, but here's a link for another one. http://www.thegrizzlylabs.com/

So, here's a very small photo from my collection, about 1 1/2" large. And then the same photo from a not very special flatbed scanner from an all in one printer.

gentries via iphone.jpeg


Flatbed scanner
john montgomery gentry001.jpg
 
Caring for Old Photographs

Think of all the old photographs lost in fires, to mold, mildew, natural disasters, thrown away by descendants of those who thought the moment important enough to commemorate and the image important enough to save.

Like daguerrotypes and tintypes, the old photographs should no be stored in basements or attics. They don't like heat, humidity or direct sunlight, so try to avoid all those.

To store your photographs, use archival materials. There are clear plastic sleeves available that don't contain the Polyvinyl Chloride that can be very damaging to vintage prints. Archival plastics that include polypropylene and polyester film are considered stable enough to enclose your treasured photographs. In a regular "big box" office supply store, look for products that are labeled "archival" or "archival safe."

You can also find supplies online at suppliers like http://www.archivalmethods.com/, http://www.dickblick.com/categories/conservation/, http://www.gaylord.com/c/Archival.

The experts say that you should only handle your vintage photos with white cotton gloves, but if you don't have any on hand, remember to be very careful NOT to touch the image itself. Your hands have oil on them and some may be transferred to the image and interact with the emulsion.

You can find albums with acceptable plastic coverings, but remove your old photos from those albums that had sticky pages as they contain the bad stuff that is harmful to your photos.

You should store your vintage photos in acid-free paper and acid-free boxes, which can be purchased online or at a big box office supplier. It has been easiest for me to keep the photos with cardboard between them to support the photos, but make sure the cardboard or folders are acid-free.

If you have your vintage photos framed, they shouldn't be touching the glass and should be matted with acid free mats. Many experts suggest that you remove your old photos from frames, scan them and then replace them with the scanned and reprinted photos. I think that's good advice as you can put them out where you don't have to worry about light damage, because you can always print another.

You can correct some of the damage even with most easy photo programs before you make new prints. You can make also make fun Christmas and birthday cards to send to your relatives.

I'm always surprised at how well old photographs, even those made with a regular camera are easily restored. We were looking at my father's WWII photos and an old veteran who lived with us said, "That's Joe Louis," looking at a 2 3/4 by 3 inch photo. So I scanned it and restored it and we googled up photos of the famous boxer and sure enough it was. Of course, then I took a photograph of the crowd out of the album and my dad had written "Waiting for Joe Louis" on the back.

If you have a favorite ancestress from your collection and need some help restoring a copy of it, there are people who can help you—some right here on CWT.

Where you have a photographer named, you may also want to google the studio name as some of those are listed online and it will help you place the photo in a timeline. Stewart Photography in Omaha may have only existed for a certain limited time.
 
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Great information. Since the advent of the digital camera (my latest Canon is 18 mp with an expansion to ISO 12800) we have been taking pictures of images. The capability of the camera allows production of an 8X10 image with great clarity in very low light (and the ability to "push" to larger sizes with some loss of clarity but no "pixeling"). Most of the reproduction we do is of tintypes, with a few ambrotypes and one daguerrotype of my great-great grandfather; who died in 1857.
 
Mentioned that we do some fun Christmas photos, here's an an ancestress whose father served and husband whom she married after the War also served.

.
mary b xmas.jpg
 
For those of you who are trying to determine just who that ancestress is, if no one wrote the names on the backs of the photographs and want to try dating the photo by photographer, here's a listing of photographers from the New York Public Library. http://www.nypl.org/node/134160

Also, a volume that lists 3,000 of those Pioneer Photographers the Mississippi to the Continental Divide before 1866 can be found here, you may be able to access your photo studio at Google books or amazon. http://www.sup.org/book.cgi?id=1290.
 

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