I never could get a good explanation. I think it was banned voluntarily because the Lakota Sioux found if offensive.Something to do with Indian Burials. I am at a loss to explain it but I hope someone "in the know" will.I have been told, and I hope it's not true, that Garry Owen has been banned in some places. I certainly hope that's not the case.
John
No music on this one that I could find?Someone mentioned that they liked to see posts here with people playing the tunes, so here's a catchy tune called "Finnigan's Wake" by the Monocacy Field Music.
A fun and popular folk song, it's also famous for providing the basis of James Joyce's final work, Finnegans Wake (1939), in which the comic resurrection of Tim Finnegan is employed as a symbol of the universal cycle of life. As whiskey, the "water of life", causes both Finnegan's death and resurrection in the ballad, so the word "wake" also represents both a passing (into death) and a rising (from sleep), not to mention the wake of the life ship traveling in between.
Video link
Lyrics:
Ah Tim Finnegan lived in Walkin Street
A gentleman Irish mighty odd
Well, he had a tongue both rich and sweet
An' to rise in the world he carried a hod
Ah but Tim had a sort of a tipplin' way
With the love of the liquor he was born
An' to send him on his way each day
He'd a drop of the craythur every morn
Whack fol the dah will ya dance to yer partner
Around the flure yer trotters shake
Wasn't it the truth I told you?
Lots of fun at Finnegan's Wake
One morning Tim was rather full
His head felt heavy which made him shake
He fell off the ladder and he broke his skull
And they carried him home his corpse to wake
Well they rolled him up in a nice clean sheet
And they laid him out upon the bed
With a bottle of whiskey at his feet
And a barrel of porter at his head
Whack fol the dah will ya dance to yer partner
Around the flure yer trotters shake
Wasn't it the truth I told you?
Lots of fun at Finnegan's Wake
Well his friends assembled at the wake
And Mrs Finnegan called for lunch
Well first they brought in tay and cake
Then pipes, tobacco and brandy punch
Then the widow Malone began to cry
"Such a lovely corpse, did you ever see,
Arrah, Tim avourneen, why did you die?"
"Will ye hould your gob?" said Molly McGee
Whack fol the dah will ya dance to yer partner
Around the flure yer trotters shake
Wasn't it the truth I told you?
Lots of fun at Finnegan's Wake
That is a great song! I see why soldiers on both sides loved listening to and singing it so much. My 2nd great grandfather Corp. A. David Honeycutt who fought for almost four years with the 24th N.C. Infantry named one of his daughters Lorena after the Civil War.A song loved and sung North and South-
What do you mean, specifically? Are you looking for the sheet music?No music on this one that I could find?
When I first played the video it was just the musicians talking amongst themselves - no music was played, but now when I click the video they play the song. Whatever I was doing wrong seems to have corrected itself!What do you mean, specifically? Are you looking for the sheet music?
Might be just me, but like the string version a lot betterFor today, here's Ashokan Farewell for Brass Quintet Arr. Jari Villanueva. Everybody is familiar with this tune, and no it's not from the Civil War era. This is a wonderful new arrangement.
This version will probably sound better when played on period instruments.Might be just me, but like the string version a lot better
My first thought on hearing this is that it could be a pipe organ with the appropriate stops set for low and mid-brass with a trumpet soloist. If my Gran were still alive, she could figure out how to set the organ after a couple listens and could reproduce the tune by ear. Thank you for reminding me of her.For today, here's Ashokan Farewell for Brass Quintet Arr. Jari Villanueva. Everybody is familiar with this tune, and no it's not from the Civil War era. This is a wonderful new arrangement.

Very enjoyable and a great looking campFor this week's CTC, here's the toe tapper "Angelina Baker" played by the 9th Illinois String Band, part of a US Civil War reenactment group in Eastern Europe.
Published by Stephen Foster in 1850, this song relates the heartbreak of slaves who lost loved ones through death or sale. Interestingly, up to 1850, the lyrics of minstrel songs were one of the few places (other than Abolitionist literature) where sympathetic interpretations of the plight of slaves could be found.