I would like to welcome you to this forum, Mr. Ponsford - and we truly appreciate your wonderful poem "Sentinels Of Hallowed Ground" which was posted. An honor !!! For those who have not seen the poem yet - link is below :
http://civilwartalk.com/threads/civil-war-poem-tribute.72467/
and quite a background
Restoration had always appealed to Gordon Ponsford, but it was while working in a cemetery that he "found [his] love."
"A cemetery holds a wealth of information — it is where history dwells," Ponsford said.
That love of history led to his establishing what has become the largest conservation and restoration in the Southeast and among the largest in the country.
Pondsford's work can be seen throughout the Chickamauga Battlefield where he has embarked on a multi-year program to clean, restore and preserve bronze plaques and sculpture throughout the park.
"I'd grown up in England living and breathing history," he said. "To preserve and save history became my passion."
He first approached his craft while learning metal refinishing by working in his grandfather's auto body shop in England.
"Dad was an American who served in Korea and Vietnam, Mom was English and I wanted to learn the family business — and metal restoration," he said.
The business was sold in the 1970s and Ponsford moved to the United States and settled in Atlanta. There, what started with him bringing vintage and classic automobiles back to better-than-new conditions led to his operating the largest conservation and restoration group in the Southeast.
"I was doing restoration on a DeLorean [a stainless steel-skinned exotic car] when its owner asked if I'd work on an antique elevator," he said. "I figured metal is metal and then realized there was more work to be had doing architectural metal restoration than automobiles."
Leaving the Atlanta operation in his brother's keeping, Ponsford, who will be 53 this Halloween, opened an office in the nation's capital.
Performing maintenance at Arlington National Cemetery marked a milestone in his shift from autos to artifacts.
"While doing some metal restoration we were asked to do a sculpture," he said. "That's when I found my calling."
Working in Arlington taught him local, national and world history and helped him realize the critical role of conservators.
"Wear and tear or thoughtless acts of vandalism can destroy the past forever," he said.
But it is not only the ravages of time or vandals that can desecrate either artifact or monument. There is also the very real danger of unintentionally doing irreparable damage.
"Our goal is to not apply something that will be detrimental to a piece's integrity," Ponsford said. "I get disheartened by seeing what has been done with good intentions. Damage can be caused by accident or neglect, but I see more destruction done by use of inappropriate techniques."
Ponsford noted some things where attempts to help cause harm instead: overzealous use of high-pressure washers to remove grime that inadvertently washes away delicate pieces of stonework; sand blasting, which grinds delicate details away; the use of harsh chemical cleaners that open pores in stone, leaching away coloring or damaging the very things they are meant to protect.
"We feel a responsibility to the artifact and to the artist," he said. "A conservator's motto should be, 'do no harm.'"
Ponsford said he knew nothing about the Chickamauga and Chattanooga battlefields — "I'd see the signs while traveling between Atlanta and Washington" — until the National Park Service contacted him after seeing his work at Arlington.
Now he is undertaking a multi-year project to restore monuments and plaques to their original glory. It is a task that involves restorations along Missionary Ridge, at Lookout Mountain's Point Park and Cravens House, on the reservation at Orchard Knob and throughout the grounds of Chickamauga Battlefield.
"Every large monument at Chickamauga has been vandalized or had pieces stolen," Ponsford said.
Stabilization is not terribly expensive — pennies on the dollar — compared to the cost of a full-blown restoration that can range from $2,500 to $250,000. But with the National Park Service's tight budget, efforts at stabilization and ongoing maintenance leave nothing to replace missing or mangled pieces.
"America is such a new country that it is essential to preserve its history," Ponsford said. "What I'd like to see happen here is for local businesses to adopt a monument to help underwrite repairs."
Putting his money where his mouth is, Ponsford has commissioned and is paying a sculptor to model and mold a new bronze sword to replace one missing from the Tennessee monument located near Wilder Tower.
And the man who has restored artifacts recovered from RMS Titanic and regularly refurbishes monuments at Arlington National Cemetery, including John F. Kennedy's and the Tomb of the Unknown Soldier, is spending the next two years working to preserve and protect the national treasures that punctuate the hallowed ground where soldiers fought and fell over the course of a few days in September of 1863.
"I'm restoring the past for the future," Ponsford said. "I get equally thrilled working on these [at Chickamauga] as on the Titanic."