Yes, what a super post 18th, thank you- I know you had as a project looking into how the war affected some of the women of plantations in general but boy- she's an exception probably? Not many would have insisted on maintaining control of their money? Or maybe they did and we don't hear of them- the whole strong, Southern female thing came from her kind of story, too.
I agree- you can learn an awful lot from picking details out of era paintings. No expert here, love to listen to experts point out the things artists included plus the era dress, tack as they were discussing, and I wonder if the scarf her husband was sporting is a tartan?
So odd, the apparent bafflement on why enslaved people would prefer freedom to any kind of confinement. This family seems to have offered honorable employment to some ex- enslaved people, who accepted which speaks well for a relationship there. It was awful, finding work post- emancipation, and scary as heck, good to have been able to not launch oneself into the chaotic world of reconstruction.
All in all, remarkable woman! Some novelist would dream her up, with ridiculous chapters of romantic padding- the painting would be the cover, given some wispier clothing right? She's fine exactly like she is, her brain the main feature, God bless her.
Little preoccupied out here in the non-cyber world, thanks for holding down the fort for a bit in Ladies Tea- will be hopefully bringing threads again soon. Little crazy! What a stroke of great good fortune, you showing up all that time ago and agreeing to help and Southern toboot! Couldn't pull threads like this together by a Scots, Nova Scotia-New England heat intolerant Yank.