according to: http://www.ma150.org/day-by-day/1861-10-15/winslow-homer-becomes-special-artist-army-potomac
Oct 15, 1861
Expired Image RemovedWinslow Homer, considered by many to be the greatest 19th Century American painter, is best known for his paintings of rural life and landscapes, especially those of the sea. However, before he created these iconic scenes, he worked as a "special artist" for
Harper's Weekly, capturing the experiences of soldiers during the Civil War. At a time when there were few visual records of army life, Homer's illustrations significantly shaped the pubic view of the war. As
Life observed a century later, Homer left us "One of the most perceptive pictorial records of the Union soldier's life."
Homer was born in Boston in 1836 and moved with his family to Cambridge in 1842. He was primarily a self-taught artist, though he served as an apprentice to a commercial lithographer in Boston in the mid 1850s. In 1857, Homer began his career as a freelance illustrator, providing images to magazines such as
Harper's Weekly and
Ballou's Pictorial, which described him as a "promising young artist." In 1859, he moved to New York City.
Harper's offered his a full-time position but he opted to remain a freelancer. He had his first taste of capturing national affairs when
Harper's sent him to cover President Lincoln's inauguration in 1861.
In October of 1861, the publisher and editor of
Harper's contacted the military to get permission for Homer to attach himself to the army with "such facilities as the interests of the service will permit for the discharge of his duties as our artist-correspondent." He received his pass on October 15 and soon began his first trip to the Army of the Potomac, encamped in Virginia.
Harper's published the first of his war sketches "A Night Reconnaissance" on October 26, 1861.
Homer traveled regularly to army camps over the course of the war, but he did not keep records of his travel. What historians know comes primarily from his illustrations. It is clear he spent some of his time with the 61st New York Infantry and the 5th New York Infantry, also known as Duryee's Zouaves. Many of his sketches would be sent to
Harper's, where staff would create wood engravings that allowed mass production of the images. Homer also used some of his sketches to later create oil paintings.
Home sketched battles, but also the day-to-day of camp life. His focus was usually the regular soldier—he only published one illustration of a high-ranking officer, depicting General McClellan in "Hail to the Chief." Michael Kimmelman writes in the
New York Times that Homer's first illustrations were witty camp images or typical battle portraits, while his paintings were "weightier, unsentimental and immediate." Kimmel describes Homer's first oil painting, "The Army of the Potomac—A Sharpshooter on Picket Duty" as "an accomplished image that in its compactness and lack of anecdotal detail, was unlike any art coming out of the war."
Homer never sketched dead soldiers—even though those images were common in newspapers—and he never presented heroic battle scenes. In the words of William Downes, Homer's work shows "no idealization of the stern and sordid aspects of the subject, but describing with the strictest veracity and with that accent of unexpected and unconventional candor… just those little things in army life which had before passed unobserved or unheeded by the military painters of other schools."
Homer traveled with the Army of the Potomac regularly through the end of the war, and his work shows evidence that he was present at the Battle of the Wilderness in May of 1864 and the siege of Petersburg later that year. While Homer's illustrations and paintings strongly influenced Americans' perceptions of the war, the war changed Homer as well. After his experience at the siege of Yorktown in 1862, his mother wrote: "He suffered much, was without food 3 days at a time & all in camp either died or were carried away with typhoid fever—plug tobacco & coffee was the Staples… He came home so changed that his best friends did not know him." As many of his biographers observe, Homer's experience in the war also had a significant impact on the acclaimed artist he would become. "The youthful zest for life of his Boston illustrations would not again be part of his style," writes Homer's biographer David Tatham, "His closeness to death, disease, and the suffering of the wounded left its mark."