Belle Montgomery
2nd Lieutenant
- Joined
- Oct 25, 2017
- Location
- 44022
Hidden tattoos captured soldiers’ pride and patriotism, but also had a practical use.
In 1876, on Oak Street between Oliver and James, a long-lost block of lower Manhattan that now lies underneath a housing project built in the 1950s, a New York Times reporter found the sign he had been looking for—“Tattooing Done Here.” Inside the shop, which he described as “a tavern with a well-sanded floor,” he found Martin Hildebrandt, the most famous tattoo artist in 19th-century America.
Short and talkative, with a crucifix inked on his back, Hildebrandt was happy to tell reporters about his unusual trade. As far as historians can tell, he was the first person in the United States to set up a permanent shop as a tattoo artist, at a time when body art was still a hidden practice in the country, associated with circus performers, faraway cultures, sailors, and native tribes.
But quietly Americans of all sorts were getting tattoos. Secret societies such as the Masons and Good Fellows had their members inked with special signs, and as Hildebrandt would tell the Times reporter, he’d worked on people from high and low society—from mechanics and farmers to “real ladies” and gentlemen. During the Civil War, when he’d served in the Union’s Army of the Potomac, Hildebrandt had initiated at least a brigade’s worth of soldiers into the culture of ink.
In 1876, on Oak Street between Oliver and James, a long-lost block of lower Manhattan that now lies underneath a housing project built in the 1950s, a New York Times reporter found the sign he had been looking for—“Tattooing Done Here.” Inside the shop, which he described as “a tavern with a well-sanded floor,” he found Martin Hildebrandt, the most famous tattoo artist in 19th-century America.
Short and talkative, with a crucifix inked on his back, Hildebrandt was happy to tell reporters about his unusual trade. As far as historians can tell, he was the first person in the United States to set up a permanent shop as a tattoo artist, at a time when body art was still a hidden practice in the country, associated with circus performers, faraway cultures, sailors, and native tribes.
But quietly Americans of all sorts were getting tattoos. Secret societies such as the Masons and Good Fellows had their members inked with special signs, and as Hildebrandt would tell the Times reporter, he’d worked on people from high and low society—from mechanics and farmers to “real ladies” and gentlemen. During the Civil War, when he’d served in the Union’s Army of the Potomac, Hildebrandt had initiated at least a brigade’s worth of soldiers into the culture of ink.
For the rest of the story and more photos go here:
https://www.atlasobscura.com/articles/civil-war-tattoos
https://www.atlasobscura.com/articles/civil-war-tattoos